»çÁøÀÛ°¡ ÀÌÀç±Õ
ÀÌÀç±Õ
https://leejaekyun.com/
010-4750-2762
jk3029zxcv@naver.com
     
 
<¹«±â·ÂÇÑ °æ°üÀº Çر«ÇÑ Áü½ÂÀ» ±×¸°´Ù>´Â Àΰ£ÀÇ Áö¹èÀû ¿å¸ÁÀÌ ³ºÀº dz°æÀ» º¸¿©ÁØ´Ù. Àΰ£ÀÇ ¾ß½ÉÀº ¸Í¸ñÀûÀÎ °³¹ß°ú ±¸Ãà, ¹«ºÐº°ÇÑ ÀïÃë·Î À̾îÁ® ±×µéÀ» ÀÌ ¶¥ÀÇ ÁÖÀÎÀ¸·Î ¸¸µé¾ú°í, »ýÅ°è ÃÖ»óÀ§¿¡ ÀÚ¸®ÇÑ »çȸ¸¦ ÁöÅÊÇϱâ À§ÇØ ²÷ÀÓ¾ø´Â »ý»ê °úÁ¤À» °ÅÃÄ ÀÚÃ븦 ³²±ä´Ù. Çö½Ã´ëÀÇ ÀÚ¿¬ °æ°ü¿¡¼­´Â ±× ÈçÀûÀ» ½±°Ô ãÀ» ¼ö ÀÖ´Ù. dz°æ ¼Ó ¾û¶×ÇÏ°Ô ÀÚ¸®ÇÑ Àΰø¹°Àº ºÒ¼ø¹°ÀÌ ¾Æ´Ñ ÀϺΰ¡ µÇ¾î »õ·Î¿î Àü¸ÁÀ» ¸¸µé¾î³½´Ù. ³ª´Â ÀÌ·¯ÇÑ ¹«±â·ÂÇÑ °æ°ü¿¡¼­ ¹°Áú ¸¸´ÉÁÖÀÇÀÇ ¸ô°æ°è°ú ½Ã½ºÅÛ¿¡ Àͼ÷ÇØÁø Àΰ£ÀÇ ¿À·ù¸¦ Ž±¸ÇÑ´Ù. ±×¸®°í ±×°ÍÀÇ ½Ç¸¶¸®¸¦ Ç®¾î³»±âº¸´Ù, ±× ÀÚü¸¦ º¸°í ´À³¥ ¼ö ÀÖ´Â Àå¸éÀ» µå·¯³»¾î ¿ì¸® ÀÏ»óÀÇ À̾߱â¶ó´Â °ÍÀ» ´õµë¾îº¼ °è±â°¡ µÉ ³»·¯Æ¼ºê¸¦ ¸¸µé±â·Î Çß´Ù.

µµ½Ã ¿Ü°ûÀ» ¹èȸÇÏ´Ù Àΰø¹°ÀÌ ¿ì¶Ò ¼­ ÀÖ´Â °ø°£¿¡ µé¾î¼±´Ù. ¿ïâÇÑ Ãʸñ ÀÚ¿¬À» ºñÁý°í ³ª¿À´Â Â÷°¡¿î ö±Ù°ú ÄÜÅ©¸®Æ® º®ÀÇ ºÎÁ¶È­´Â ¿ÀÈ÷·Á ¾Æ¸§´Ù¿ö º¸ÀδÙ. ³ª´Â ³ª¹«µé »çÀÌ¿¡ ¸ö¶×À̸¦ ¼û±ä °í¿äÇÑ ¾Ë·ÂÀ» µå·¯³»±â À§ÇÑ ½Ã°¢Àû Ã浿À» ÀÏÀ¸Å²´Ù. ºÓÀº ¿¬¸·Àº ¹«Àǽİú ÀǽÄÀÇ ÆÄÆíÀÌ °øÁ¸ÇÏ´Â °ø°£À» ȯÀ¯ÇÏ´Â ¸Å°³¹°·Î ÀÛµ¿ÇÑ´Ù.

°³ÀÎÀÇ Àǽİú »çȸÀû ¿ä¼Ò°¡ ¼­·Î ¾î±ß³­ ¸ð¾çÀ¸·Î µ¹¾Æ°¡´Â ¸ÞÄ¿´ÏÁò¿¡¼­ µå·¯³ª´Â ¹¦ÇÑ ÀÏ··ÀÓÀº ÀǽÄÀÇ È®ÀåÀ¸·Î À̾îÁø´Ù. ÀÚº»ÁÖÀÇÀÇ ºÒ°¡Ç×·ÂÀûÀÎ ÈûÀ» µå·¯³»´Â Çö »çȸ¿¡¼­, ¿ì¸®¿¡°Ô ´ç¸éÇÑ ¹®Á¦´Â ºñ´Ü ¹°Áú ¸¸´É ŵµ»ÓÀÌ ¾Æ´Ï´Ù. »çȸ´Â ¼Û°÷´Ï¸¦ °¨Ãá ä Çö´ëÀÎÀÇ »î°ú ÀÏ»óÀ» ȹÀÏÈ­ÇÏ°í ±Ô°ÝÈ­ÇÏ°í ÀÖÀ¸¸ç, °³ÀÎÀº º¸ÀÌÁö ¾Ê´Â ¾ï¾ÐÀ» ÆÇ´ÜÇÒ ¼ö ÀÖ´Â ´É·ÂÀ» »ó½ÇÇØ °¡°í ÀÖ´Ù´Â Á¡À» °Ü³ÉÇÑ´Ù. Á¡ÁøÀûÀ¸·Î ¹«ÀǽÄÀÇ Ç³°æÀº ¿ì¸®ÀÇ ÀǽĿ¡ °íÂøµÇ¾î Çر«ÇÑ °æ°ü¿¡ Àͼ÷ÇØÁø´Ù. ³ª´Â »çȸÀû ¿ä¼Ò¿Í ³»·¯Æ¼ºê¸¦ ¹ÙÅÁÀ¸·Î Àǽİú ¹«ÀǽÄÀÇ °æ°è¿¡ °¡·Î¼­¼­ °¨°¢À» À̲ø¾î³»¾î À̹ÌÁö¸¦ °áÇÕÇÏ´Â ¹æ½ÄÀ¸·Î Á¦ÀÛÇÏ¿´´Ù. Çö½Ã´ëÀÇ ÀüüÁÖÀÇÀû ¼º°ÝÀ» ½Ã»çÇϴ dz°æ°ú Àΰø, ±×¸®°í ¾ÆÀÌ·¯´Ï¸¦ µå·¯³»´Â ¿¬¸·Àº ¿­¸° ¸ÞŸÆ÷¸¦ ÅëÇØ ´ëÁßÀÇ ´Ù¾çÇÑ Çؼ®°ú ÀǽÄÀû °¨»óÀÇ °¡´É¼ºÀ» ¹Ù¶õ´Ù.

shows the landscape by the dominant desire of human. ambition leads to blind development, construction, and reckless production, making them the masters of this land, and making continuous production process to support society at the top of the system. this trace hide in present landscapes. Artifacts placed erratically in the landscape become part of scene rather than an impurity, creating a new scenery. In this passive landscape, I explore the broken boundaries of materialism and the errors of humans who have become accustomed to the system. and did with rather than explaining the errors, reveal scenes that we can see and feel. and decided to create a narrative that will give us an opportunity to know the hide story of our life

When i was wandered around outskirts of metropolitan, entered a space where an artifact stands tall. The incongruity between the concrete wall that come out through the lush forest looks rather beautiful. I cause a visual impulse to reveal the calm conflict that hides the body among the trees.The red smoke plays a role as a medium to implied the space where unconsciousness and consciousness fragments coexist.

The strange Melan-choly from the mechanism in which individual consciousness and social elements turn to a misaligned shape lead to the expansion of consciousness. In today's society that reveals the irresistible force of capitalism, the problem we face is not only a materialistic attitude. This works aims at the point that society is standardizing the daily lives of modern people while hiding fangs, and individuals are losing their ability to judge invisible oppression. Gradually, the unconscious landscape is fixed in our consciousness and we become accustomed to the fierce landscape. Based on social elements and narrative, I stand on the border between conscious and unconscious, draw senses and combining images. Through the open metaphor of scenery and artifact indicating the totalitarian of the present generation with red smoke screen that reveals irony, I hope for the possibility of various interpretations and conscious appreciation of the public.

ÀÌÀç±ÕÀº ÁÖº¯ »ç¹°°ú ȯ°æÀ» ¸é¹ÐÈ÷ °üÂûÇÑ´Ù. ƯÁ¤ÇÑ »óȲÀ̳ª Àå¼Ò ÀÚü¿¡ °ü½ÉÀÌ ÀÖ´Â°Ô ¾Æ´Ï¶ó, »çȸ¿¡ ¸¸¿¬ÇÑ Çö»óµé°úÀÇ °ü°è¸¦ ½Ã°¢ÀûÀ¸·Î Ç¥ÇöÇÏ´Â ¼ö´ÜÀ¸·Î½áÀÇ ¼öÁý ÇàÀ§ÀÌ´Ù. ÀÌ·¯ÇÑ ÀÛ¾÷µéÀ» ÅëÇØ ¼¼»óÀ» ÁöÅÊÇÏ´Â À¯±â¹°ÀÇ º¸ÀÌÁö ¾Ê´Â ¸Æ¶ôÀ» µå·¯³»°í, Àΰ£ ƯÀ¯ÀÇ ºÎÁ¤Àû º»ÁúÀ» ´ãÀº [Àΰ£¿À·ùº¸°í¼­]¸¦ Á¦ÀÛÇÏ°í ÀÖ´Ù.


 

  ¹«±â·ÂÇÑ °æ°üÀº Çر«ÇÑ Áü½ÂÀ» ±×¸°´Ù #Qu
»çÁø | 150X100X4cm | 2021
 
ÇзÂ
2014 ~ 2022 ºÎ»ê °æ¼º´ëÇб³ »çÁøÇаú Çлç°úÁ¤ Á¹¾÷

´ÜüÀü
2019 , °æ¼º´ëÇб³ 1¹Ì¼ú°ü, ºÎ»ê
2019 , Gongan 95.5, ºÎ»ê
2019 , °¶·¯¸®808, ¼º³²
2021 <µÚÁýÈù ½Ã°è¸¦ ±×´ë·Î Àоú´Ù>, 523ÄコƮµ¶, ºÎ»ê
2021 ´ë±¸»çÁøºñ¿£³¯·¹ <³»ÀÏÀÇ »çÁø>, ´ë±¸¿¹¼ú¹ßÀü¼Ò, ´ë±¸
2021 , ÇÑ°¡¶÷¹Ì¼ú°ü, ¼­¿ï
2021 <ÁÖ°Å : ÀÏÁ¤ÇÑ °÷¿¡ ¸Ó¹°·¯ »î>, ½Å±â·ç¾ÆÆ®ÆÑÅ丮, ºÎ»ê
2021 ºÎ»ê¹®È­Àç´Ü , ½Å¼¼°è°¶·¯¸®, ºÎ»ê
2021 ¿¹¹®HADA Part.4 <°¢ÀÚÀÇ ¿À´Ã>, ºÎ»ê Çлý¹®È­¿¹¼úȸ°ü, ºÎ»ê
2022 ¿ï»ê½Ã¸³¹Ì¼ú°ü °³°üÀü , ¿ï»ê½Ã¸³¹Ì¼ú°ü, ¿ï»ê
2022 KT&G »ó»ó¸¶´ç <2022 ARTISTART>, BNK°¶·¯¸®, ºÎ»ê
2022 KT&G »ó»ó¸¶´ç <2022 ARTISTART ¿ì¼öÀÛ°¡ ¼øȸÀü>, »ó»ó¸¶´ç°¶·¯¸® ´ëÄ¡, ¼­¿ï
2022 <¿¡ÄÚ Ã¨¹ö>, ¿µÈ­ÀÇÀü´ç, ºÎ»ê
2022 ¼öâûÃá¸Ç¼ð 2022 Á¦ 2ȸ ±âȹÀü, ¼öâûÃá¸Ç¼ð, ´ë±¸

°³ÀÎÀü
2019 <¾ðÁ¨°£ ¼³¸íÀÌ ÇÊ¿äÇÒ ³· : ȯ±â ºÒ°¡>, ¶Çµû¶Ç°¡ °¶·¯¸®, ºÎ»ê
2020 , ¼­¸®Ç® û³â°¶·¯¸®, ¼­¿ï
2021 , °¶·¯¸® º°ÀÏ, ºÎ»ê
2021 <¹«±â·ÂÇÑ °æ°üÀº Çر«ÇÑ Áü½ÂÀ» ±×¸°´Ù>, °¶·¯¸® ¼öÁ¤, ºÎ»ê

¼±Á¤ ¹× ±âŸ
2019 ºÎ»ê¹®È­Àç´Ü ¿¹¼úâÀÛÁö¿ø»ç¾÷ ¿ì¼öÀÛ°¡Áö¿ø ¼±Á¤ ÀÛ°¡
2020 ¼­Ãʱ¸ û³â ÀÛ°¡ °ø¸ð ÃÖÁ¾ ¼±Á¤
2021 °¶·¯¸® º°ÀÏ ½ÅÁøÀÛ°¡ ÃÖÁ¾ ¼±Á¤
2021 ºÎ»ê¹®È­Àç´Ü ¿¹¼úâÀÛÁö¿ø»ç¾÷ ¿ì¼öÀÛ°¡Áö¿ø ¼±Á¤ÀÛ°¡
2021 ¿ï»ê½Ã¸³¹Ì¼ú°ü ´ë¸é_´ë¸é2021 Æ÷Æ®Æú¸®¿À ¸®ºä ¼±Á¤ÀÛ°¡
2021 ºÎ»ê¹®È­Àç´Ü ±â¾÷Çù·ÂÇü âÀÛÈ°µ¿Áö¿ø û³âÀÛ°¡ ÃÖÁ¾ ¼±Á¤
2021 ¿ï»ê½Ã¸³¹Ì¼ú°ü ÀÛÇ° ¼ÒÀå
2022 KT&G <2022 ARTISTART> ¿ì¼öÀÛ°¡ ¼±Á¤
¹Ú¹«À½ | ¼ÒÀ½ÀÌ ÀæÀº °ÍÀ» ÁÁ¾ÆÇÕ´Ï´Ù.
À̺¸°æ | Digital artwork_Moment