CICA¹Ì¼ú°ü¿¡¼ ¹Ì±¹ ¸ù°í¸Þ¸® ´ëÇÐ Çù¾÷ “NEWBODIES/NOBODIES” ±¹Á¦Àü¿¡ Âü¿©ÇÏ½Ç Çѱ¹¿¡ °ÅÁÖÇÏ´Â ÀÛ°¡µé ¶Ç´Â ÇØ¿Ü °ÅÁÖ ÁßÀÎ Çѱ¹ ±â¹Ý ÀÛ°¡µéÀ» °ø¸ðÇÕ´Ï´Ù. º» Àü½Ã´Â ¹Ì±¹ ¸Þ¸±·£µåÁÖÀÇ ¸ù°í¸Þ¸® ´ëÇÐ ±³¼öÁøµé°ú Çѱ¹ CICA¹Ì¼ú°ü ¼±Á¤ ÀÛ°¡µéÀÇ ±³·ùÀüÀ¸·Î Çѱ¹ CICA¹Ì¼ú°ü°ú ¹Ì±¹ Å·½ºÆ®¸®Æ® °Ö·¯¸®¿¡¼ ÁøÇàµÉ ¿¹Á¤ÀÔ´Ï´Ù. ¼±Á¤µÈ Çѱ¹ ±â¹Ý ÀÛ°¡µéÀº ¹Ì±¹ ¿ö½ÌÅÏ DC¿¡ ÀÎÁ¢ÇÑ ¸ù°í¸Þ¸® ´ëÇÐ Å· ½ºÆ®¸®Æ® °¶·¯¸®¿¡¼ ¿¸®´Â Àü½Ã¿¡ Âü¿©ÇÏ°Ô µË´Ï´Ù. º» Çà»ç´Â CICA¹Ì¼ú°ü ¾ÆÆ®µð·ºÅÍ ±è¸®Áø ¹Ú»ç¿Í ¸ù°í¸Þ¸® ´ëÇÐ ¹Ì¼ú´ëÇÐ ÇÐÀå ³ëº£¸£Åä °í¸ÞÁî ¹Ú»ç°¡ °øµ¿ ±âȹÇÕ´Ï´Ù.
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ÁÖÁ¦: ³×Æ®¿öÅ© ¹× ¼Ò¼È ¹Ìµð¾î, ½º¸¶Æ® ±â±âÀÇ ´ëÁßÈ¿Í Äڷγª ½Ã´ë¸¦ °ÅÄ¡¸ç Çö´ë »çȸÀÇ ¹°¸®Àû ÀÎü´Â ±× ¾î´À¶§ º¸´Ùµµ ´õ Å×Å©³î·ÎÁö¿¡ ÀÇÁ¸ÇÏ°Ô µÇ¾ú½À´Ï´Ù. Äڷγª ½Ã´ë ÀÓÁ¾À» ÁöÄѺ¼ ¼ö ¾ø´ø ½Ã±â »ç¶÷µéÀº ½º¸¶Æ®ÆùÀ» ÅëÇØ »ç¶ûÇÏ´Â »ç¶÷µéÀÇ ¸¶Áö¸·À» ÇÔ²²ÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù. ÀÌ¿Í °°ÀÌ Àΰ£°ú ±â¼ú, ¶ÇÇÑ Àΰ£ÀÇ À¯ÇÑÇÔÀº ¼·Î º¹ÀâÇÑ °ü°è ¼Ó¿¡¼ ¿µÇâÀ» ÁÖ°í ¹ÞÀ¸¸ç ÇÔ²² ¹ßÀüÇØ³ª°¡°í ÀÖ½À´Ï´Ù.
“Newbodies/Nobodies” ±¹Á¦ÀüÀº Çö´ëÀÇ ¹öÃß¾ó, »çÀ̺¸±×, Äû¾îµî Çö´ë »çȸÀÇ »õ·Î¿î ÇüÅÂÀÇ ÀÎü, ÀÎü¿Í Á¤Ä¡, ÀÍ¸í¼º, °¡»ó°ø°£, Æ®·£½ºÈÞ¸Ó´ÏÁò, µ¿¹°Ã¼, Äڷγª ½Ã´ëÀÇ ÀÚ¿¬°ú ÀΰøÀÇ ¼¼°è µî, Çö´ë »çȸ¿¡¼ ´ëµÎµÇ´Â ´Ù¾çÇÑ ÁÖÁ¦¸¦ ´Ù·é ÀÛǰÀ» °ø¸ðÇÕ´Ï´Ù.
(¿µ¹®)
Even prior to the pandemic of 2020, human civilization had become increasingly tethered to the Network, a condition of perpetual digital/remote/virtual connection, carrying smartphones on bodies in a form of latent cyborgism, and immersing in representations and performativity of self via social media networks, among others.
While day to day sociality, business, and politics blur the boundaries between offline and online experience, creating a global, extended telepresence, the media also proliferated video clips, captured by cell phone users, of the murder POC, including Eric Garner, for one, who’s “I can’t breathe” would cause a wave of protest over the right of a physical body, of a person, to exist. His last moments were broadcast throughout the world. Meanwhile, later, during the early wave of the pandemic, nurses held up smart phones so one could say a final goodbye to their sick loved ones who were unable to breathe. Both are instances of the complex interaction and relationship between the body, tech, and mortality.
In the Age of Pandemic and Network, the body is potentially resurrected, reconsidered, and/or reconstructed. Newbodies/Nobodies features work that attempts to explore and critique a new figuration, a new body (virtual, cyborg, queer), body-politic, or a no-body (nobody), cyberspace, and transhumanism; as well as animal bodies and the natural/unnatural world(s) during this post-long-COVID/Network Condition.
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https://cicamuseum.com/call-cica-montgomery-2024/